Vee Speers, ”The Birthday Party”

Vee Speers
Vee Speers, Untitled #30, 2007, image: Fotografiska Museet

Children can be forced to grow up at a lightning pace, for both wanted and unwanted exposures plague the false purity attributed to childhood. Vee Speers in her latest exhibition ”The Birthday Party” at Stockholm’s newly opened Fotografiska Museet presents more than a dozen oversized, illuminated portraits of costumed children, decorated in the light of pastels and creams, sharing the stage with well-chosen props, objects of shock and intrigue—even limp feral creatures. Not the cheerful embodiment of innocence, these children often allude to darker actions, discontented realities. Yet, they look as if en route to some fantastical version of a birthday party, even if it turns out to be nothing they’ve yet experienced or imagined. More »

Catherine Wagner, My New Job

A public document and a relaxed collection of intimate poetry fusing arguments, personal writing exercises, confusions, clarifications and candid declarations, Catherine Wagner’s My New Job wears many faces: a seductive smile, a snide sideways glare, a big-toothed grin, a downward glance, an open-jawed stare:

Just in every rathole, just trying to learn everything at once
I was learning everything at once

The poet–sometimes sexual and raw, occasionally impotent and anti-social–shares her moods without regret. Feelings are recognized, made fun of, accepted and even resented. Bittersweet yet rich, this job is one that is fulfilling and yet doesn’t bring on the guilt that comes with eating too much or talking out of turn. More »