About

Jacquelyn Davis is an American-Swedish writer, arts/culture critic, independent curator and publisher. She currently resides in Stockholm, where she is the founding editor of the small publishing press and curatorial node valeveil. This website presents a selection of her writing alongside creative interests, such as The Polaris Series which regularly examines a selected work of one Scandinavian artist or artist group in detail. For more information, please visit i&o.

“Survival Kit 9”

Andris Eglītis, Laboratory of Poetic Research, 2017. Image: Jacquelyn Davis.

The 9th edition of Survival Kit is orchestrated by a small team of Baltic and Scandinavian curators: Jonatan Habib Engqvist, Solvita Krese and Inga Lāce. All possess a background in organizing independently and within the confines of institutions, which may be their strong point—their fluidity. More »

The 9th Momentum Biennial

Jenna Sutela, Sporulating Paragraph, 2017. Image: Momentum 9.

Momentum 9, taking place in the industrial town of Moss, Norway, is being curated by Ulrika Flink, Ilari Laamanen, Jacob Lillemose, Gunhild Moe, and Jón B.K. Ransu, who together represent the Scandinavian region. With this biennial’s focus on ‘alienation’, the curators joined forces to determine how alien processes and entities are infused in our lives through technological, ecological and social transformations. More »

Klas Eriksson, “Vet din mamma var du e?”

Klas Eriksson
Klas Eriksson, Evidence of Patchwork, 2017. Image: Göteborgs Konsthall.

Swedish artist Klas Eriksson has developed a practice rooted in examining subcultures via works in public spaces and spontaneous performances. With an interest in how power flows and how crowds function, the artist attempts to unpack sociopolitical dynamics using playful tactics. More »

Lovisa Ringborg, “Night Remains”

Lovisa Ringborg
Lovisa Ringborg, Fountain, 2017. Image: Cecilia Hillström Gallery.

In Lovisa Ringborg’s second exhibition at this gallery, the artist upholds the argument that displaying a set of harmonious works can be more potent than a plethora of free-floating entities. More »

Przemek Pyszczek, “1989”

Przemek Pyszczek
Przemek Pyszczek, Public Relief No 6, 2016. Image: Gallery Belenius.

Polish-born, Canadian-raised, Berlin-based artist Przemek Pyszczek displays new works which are primarily sculptural and mixed media, with stints into collage. More »

Ulf Rollof, “Kleptomaniac”

Ulf Rollof
Ulf Rollof, Hungry Stranded, 2016. Image: CFHILL.

Sequestered above the restaurant Nosh & Chow in Stockholm (designed by Barcelona-based Lázaro Rosa-Violán), renowned Swedish artist Ulf Rollof’s current solo exhibition is the last installment in a trilogy that began in Mexico City. More »

“Personal”

Dziurlikowska
Magdalena Dziurlikowska, Corona Radiata, 2016. Image: Gotlands Konstmuseum.

Differentiating between public and private spheres can be challenging. This group exhibition focuses on how one might successfully share a subjective experience when most individuals are conditioned to distance themselves from others. More »

Christine Ödlund, “Aether & Einstein”

Christine Ödlund
Christine Ödlund, Urtica Dioica, 2013. Image: Magasin III.

In a delicate fusion of scientific experimentation, metaphysics, and exchange between human beings and plants, Swedish artist Christine Ödlund provides an enchanting display of paintings, drawings, videos, and an organic installation that entices viewers to reconsider their relationships with both secular and spiritual realms. More »

Max Ronnersjö, Untitled (% work)

Max Ronnersjö
Max Ronnersjö, Untitled, 2014. Image: Max Ronnersjö

A Symbol Is As a Symbol Does

Now hangs Swedish artist Max Ronnersjö’s large-scale, percent (%) painting in my apartment—as if one shops for ½ priced boots or a practical winter coat this spring. More »