“(I)ndependent People”

Ulrika Sparre and Steingrímur Eyfjörð, The Leyline Project, 2012, image: Ulrika Sparre

Displaying collaborations and artist initiatives from twenty-nine collectives including some one hundred participants, “(I)ndependent People” works against the tendency of biennials to promote the lone artist. While no collective functions without individual will, the unmapped terrain between the solitary artist and artist group seems a primary theme here. More »

Interview with Thierry Geoffroy

Thierry Geoffroy
Thierry Geoffroy and critics in the Blue Lagoon, 2012, image: The Awareness Muscle Team

After attending the Reykjavík Arts Festival and viewing (I)ndependent People curated by Stockholm-based Jonatan Habib Engqvist, the French-Danish conceptual artist Thierry Geoffroy created an event which was both a press conference and participatory, action-based art event for the artist group The Awareness Muscle Team (Geoffroy, CopyFlex [AKA Åsmund Boye Kverneland], Nadia Plesner, Victor Vadil and Maia Hauser), which took place in the famed Blue Lagoon one spring morning in Grindavík on the outskirts of Reykjavík. More »

Thomas Broomé, ”The Guest”

Thomas Broomé, Shimmering Shadows, 2012, image: Galleri Magnus Karlsson

Partially inspired by a three-month residency in the summer of 2011 at Hammars, Ingmar Bergman’s isolated estate on the Swedish island Fårö, Thomas Broomé’s latest exhibition seems to walk in the iconic director’s footsteps, with works that celebrate and reveal the intimate dwelling, room by room, as it appears in the films Hour of the Wolf (1968) and Faithless (2000). More »

“Abstract Possible” Addendum

To ‘pick’ an exhibition to highlight for Artforum does not translate into my tacit approval of Maria Lind’s decision to associate with Bukowski’s Auction House which is in turn associated with Lundin Petroleum More »

”Abstract Possible”

Tommy Støckel, In My Mind This Goes On Forever, 2012, image: Tensta Konsthall

This exhibition examines the abstract from multiple perspectives: formal, economic, and the contemporary artist’s “withdrawal strategies”––a manipulation of already existing spaces in order to create a “space apart” from the rest of society. More »

The Armory Show: Nordic Focus

Ragnar Kjartansson, Scandinavian Pain, 2006, image: i8 Gallery

This year at the Armory (and Volta), take a trip to the icy North. The Nordic focus features Scandinavia’s promising art scene, curated by Malmö Konsthall’s director Jacob Fabricius, with a selection of galleries from Denmark, Iceland, Sweden, Norway and Finland. More »

Christian Saldert, The Politics of the Unpolitical

Christian Saldert, The Politics of the Unpolitical, 2011, image: Christian Saldert

Only a little by way of explanation is provided about the artist Christian Saldert on his site or on Galleri Kleerup’s site representing him or his recent digital-poetic solo exhibition “Bodies of the Unreal” inspired by found, appropriated web images of American nudists from the mid-twentieth century. More »

Annika Larsson, ”Animal”

Annika Larsson, Animal (in 14 Movements), 2012, image: Andréhn-Schiptjenko

Annika Larsson’s fourth exhibition at a gallery located in what Stockholm refers to as their “art palace” in Vasastan, ”Animal,” is a curious display focusing on the rapport between the human and animal from multiple angles: anthropological, psychological, theoretical, political—to name a few. More »

Liisa Lounila, The Everlasting

Liisa Lounila, The Everlasting, 2005, image: Liisa Lounila

Finnish artist Liisa Lounila (b. 1976) produces art ranging from oil paintings to moving images to textual explorations to sculpture. Further, she uses glitter to create large-scale images (solo, triptychs, series of multiples) which are primarily black and white with shades of grey—with one exception being Vandal, 2003 which incorporates red. More »