Peter Ern, Electric Light, 2011, image: Peter Bergman |
Peter Ern’s solo exhibition “A Place Called Home” displays new, large scale paintings predominantly focused on dry or wintry landscapes which many could argue are devoid of a detectable action or livelihood, as well as others drawing attention to the commonplace, external architectures of Sweden―Soviet-style apartment complexes, tucked away stugas/country houses, kojans/huts in the woods or inner, industrial spaces such as in Ern’s Electric Light, 2011. If Ern’s “A Place Called Home” is approached as a series, Electric Light, 2011 doesn’t follow suit as comfortably as the others, bringing the viewer inside an abandoned space in contrast. More »