| Leif Elggren, Bed, 2011, image: Galleri Niklas Belenius |
Leif Elggren is unavoidable in Scandinavia: Not only is he known for his profound oeuvre of sound pieces and performances, his collaborative spirit (see his work with Thomas Liljenberg and their DIY initiative Firework Edition), and his insight into the absurdities of power and privilege but the artist also owns a specific style marked by his use of yellow and black, a color combination that he has claimed as his domain since 1977. More »
| Virlani Hallberg, Receding Triangular Square, 2012, image: Galleri Riis |
Born in Jakarta, the Berlin- and Stockholm-based artist Virlani Hallberg draws attention to the boundaries between individual and collective trauma, and how violence affects individuals in a long-term fashion – sometimes hindering, other times transforming those involved. More »
| Viktor Rosdahl, The Wedding, 2013, image: Christian Larsen |
In “Ytterstad / Outskirts” Viktor Rosdahl includes more human figures and visages than in previous exhibitions and employs a tone which seems more reverent than before. More »
| David Douard, S1CK 54LIVA, 2013, image: 1857 |
In Oslo, summer is full-on, accompanied by the hedonistic joys brought on by a tenacious sun that hardly ever sets. More »
| Chris Burden, B-Car, 1975, image: Magasin 3 |
Given that chris Burden has not shown at Magasin 3 since 1999, one might expect a more comprehensive exhibition than this. What one instead encounters is a focus on select pieces that express the American artist’s interest in personal freedom and man’s desire to move freely without constraints – making the impossible possible through sheer will. More »
| Katarina Löfström, A Void, 2013, image: Katarina Löfström |
In Katarina Löfström’s third solo exhibition at Andréhn-Schiptjenko, one is cajoled by both the comfort of repetition and sensory parameters related to any given reality. Perception, after all, is adaptable and even, at times, restrained. Human beings are able to train themselves to hone attractive skills and master talents through trial and error. More »
| Klas Eriksson, Curva Viola, 2012, image: Sebastian Nitulescu |
Stockholm, Dec. 2012: Stockholm-based Swedish artist Klas Eriksson (b. 1976) has been incredibly active in Scandinavia, with exhibitions and performances ranging from participating in the Royal Institute of Art’s “Performing Recalcitrance” to the Copenhagen Arts Festival to a solo exhibition at Nordin Gallery in Stockholm. More »
| Søren Thilo Funder, Sal Paradise, 2012, image: Den Frie |
”Beyond Good and Evil,” an exhibition named after Nietzsche’s philosophical treatise on phenomena such as how cultures lose sight of creativity and are responsible for their own demise, is part of the Copenhagen Arts Festival and shares its theme with other exhibitions, public artworks, performances, lectures, and screenings in the festival. It appears useful to slide between viewing this exhibition as both an end in itself and as a supplementary chapter of the festival’s thematic inquiry into “community.” More »
Sometimes confessing to an invisible audience, sometimes to the poet himself, the impressive poetic debut Trees of the Twentieth Century consists of approximately thirty poems and communicates that which usurps prepackaged explanations yet desires to be heard using the human voice. More »