| Annika von Hausswolff, Because There Is No God, No Good Dog, 2015. Image: Andréhn-Schiptjenko. |
Swedish photographer Annika von Hausswolff has a history of ignoring the limitations of her chosen medium. While photographs remain her aesthetic and conceptual bedrock, she has also incorporated sculpture, installation, performance, people, and props into her diverse practice, one that chiefly explores the complexities of the human mind. More »
| Camilla Løw, Heavy Water, 2015. Image: Carl Henrik Tillberg. |
In Norwegian artist Camilla Løw’s fourth solo exhibition, “Nerves and Muscles,” the sculptures appear to be playful jaunts, but they are quite sophisticated in terms of their placement and distinct design. More »
| Ofer Wolberger, Nein, 2013-2015. Image: Stene Projects. |
Ofer Wolberger’s first exhibition in Scandinavia, titled “Nein,” displays works ripe from the artist’s teenage inexperience. More »
| Michael Manning, Wokked Chinese Long Beans with Chicharrones, 2014. Image: Isbrytaren. |
For his solo debut, Los Angeles–based artist Michael Manning presents large-scale paintings, videos, and installations that revolve around his interest in punk counterculture movements and their rapport with “reactionary network politics,” which use the Internet as medium. More »
| Simon Mullan, Alphatürk, 2014. Image: Belenius / Nordenhake. |
Simon Mullan is the first artist to show at Gallery Belenius / Nordenhake in Stockholm. The new gallery is co-founded by Niklas Belenius and Erik Nordenhake and built upon Belenius’s previous gallery, Galleri Niklas Belenius, where Nordenhake previously worked with Belenius. More »
| Martin Jacobson, Oak trees, evening, 2012. Image: Andréhn-Schiptjenko. |
In Martin Jacobson’s third exhibition at this gallery, titled “Landscapes,” the Swedish artist has appropriated the archetypal nature panoramas of the decorative art often found in hotel rooms and flea markets. More »
| Anastasia Ax, view of Swallowed Fear, 2014. Image: Anastasia Ax. |
Anastasia Ax does not shy away from the visceral, using her hands and body to construct raw images, sculptures, sound and performative pieces. The Stockholm-based artist’s medium is ink and paper, but she provokes one to rethink how they can serve as charged mediums, and she has a history of collaborating with experimental artists such as Lars Siltberg (in the case of this exhibition, Siltberg and Ax opened with a performance) and Marja-Leena Sillanpää. More »
| Goshka Macuga, still from Non-Consensual Act (in progress), 2013. Image: Jacquelyn Davis. |
Given that Goshka Macuga’s exhibition primarily consists of one twenty-two minute video, Non-Consensual Act (in progress) (2013), one may be inclined to think that it is missing fundamental components. More »
| Jacob Dahlgren, Work as Method, 2013. Image: Andréhn-Schiptjenko. |
Given his history of transforming everyday objects into large-scale installations and intricate constructions that hint at the power of excess and the void, it’s clear that Swedish artist Jacob Dahlgren is no stranger to repetition.