Martin Jacobson, “Landscapes”

Martin Jacobson
Martin Jacobson, Oak trees, evening, 2012. Image: Andréhn-Schiptjenko.

In Martin Jacobson’s third exhibition at this gallery, titled “Landscapes,” the Swedish artist has appropriated the archetypal nature panoramas of the decorative art often found in hotel rooms and flea markets. Jacobson has altered these images by incorporating unbelievable shades and hues that are nonexistent in reality. In Landscape 8, 2014, for example, he depicts skies that are neon blue and a forest that harbors rich shades of violet and plum. In Forest Pond, 2012, the artist has delicately painted the leaves in contrasting light and dark greens and speckled them with pink and yellow, creating an intimate vortex of tranquility. None of these works include defining landmarks or human figures, thereby emphasizing their solitude and isolation.

By combining found imagery with these particular color phenomena, Jacobson has in effect combined the past and present, the known and unfamiliar, accentuating how one can either resign to what is given or create another world entirely. Many of these paintings are infused with what at first could be noted as random vibrance, but when one views the thirteen paintings in this exhibition together, it becomes clear that the artist has mastered the painterly brushstroke and employs a calculated and variegated process. While the paintings range in size, these traits become more prevalent in Jacobson’s largest-scale works, such as Landscape 7, 2014, in which his prowess is made more obvious by the work’s encapsulating temporal magnitude.

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“Survival Kit 9”

Andris Eglītis, Laboratory of Poetic Research, 2017. Image: Jacquelyn Davis.

The 9th edition of Survival Kit is orchestrated by a small team of Baltic and Scandinavian curators: Jonatan Habib Engqvist, Solvita Krese and Inga Lāce. All possess a background in organizing independently and within the confines of institutions, which may be their strong point—their fluidity. More »

The 9th Momentum Biennial

Jenna Sutela, Sporulating Paragraph, 2017. Image: Momentum 9.

Momentum 9, taking place in the industrial town of Moss, Norway, is being curated by Ulrika Flink, Ilari Laamanen, Jacob Lillemose, Gunhild Moe, and Jón B.K. Ransu, who together represent the Scandinavian region. With this biennial’s focus on ‘alienation’, the curators joined forces to determine how alien processes and entities are infused in our lives through technological, ecological and social transformations. More »

Klas Eriksson, “Vet din mamma var du e?”

Klas Eriksson
Klas Eriksson, Evidence of Patchwork, 2017. Image: Göteborgs Konsthall.

Swedish artist Klas Eriksson has developed a practice rooted in examining subcultures via works in public spaces and spontaneous performances. With an interest in how power flows and how crowds function, the artist attempts to unpack sociopolitical dynamics using playful tactics. More »

Lovisa Ringborg, “Night Remains”

Lovisa Ringborg
Lovisa Ringborg, Fountain, 2017. Image: Cecilia Hillström Gallery.

In Lovisa Ringborg’s second exhibition at this gallery, the artist upholds the argument that displaying a set of harmonious works can be more potent than a plethora of free-floating entities. More »

Przemek Pyszczek, “1989”

Przemek Pyszczek
Przemek Pyszczek, Public Relief No 6, 2016. Image: Gallery Belenius.

Polish-born, Canadian-raised, Berlin-based artist Przemek Pyszczek displays new works which are primarily sculptural and mixed media, with stints into collage. More »

Ulf Rollof, “Kleptomaniac”

Ulf Rollof
Ulf Rollof, Hungry Stranded, 2016. Image: CFHILL.

Sequestered above the restaurant Nosh & Chow in Stockholm (designed by Barcelona-based Lázaro Rosa-Violán), renowned Swedish artist Ulf Rollof’s current solo exhibition is the last installment in a trilogy that began in Mexico City. More »

“Personal”

Dziurlikowska
Magdalena Dziurlikowska, Corona Radiata, 2016. Image: Gotlands Konstmuseum.

Differentiating between public and private spheres can be challenging. This group exhibition focuses on how one might successfully share a subjective experience when most individuals are conditioned to distance themselves from others. More »

Christine Ödlund, “Aether & Einstein”

Christine Ödlund
Christine Ödlund, Urtica Dioica, 2013. Image: Magasin III.

In a delicate fusion of scientific experimentation, metaphysics, and exchange between human beings and plants, Swedish artist Christine Ödlund provides an enchanting display of paintings, drawings, videos, and an organic installation that entices viewers to reconsider their relationships with both secular and spiritual realms. More »

Max Ronnersjö, Untitled (% work)

Max Ronnersjö
Max Ronnersjö, Untitled, 2014. Image: Max Ronnersjö

A Symbol Is As a Symbol Does

Now hangs Swedish artist Max Ronnersjö’s large-scale, percent (%) painting in my apartment—as if one shops for ½ priced boots or a practical winter coat this spring. More »