“Personal”

Dziurlikowska
Magdalena Dziurlikowska, Corona Radiata, 2016. Image: Gotlands Konstmuseum.

Differentiating between public and private spheres can be challenging. This group exhibition focuses on how one might successfully share a subjective experience when most individuals are conditioned to distance themselves from others. All four artists in the show experiment with documentary formats, spanning installation, video, painting, and cinematic offshoots. It is easy to oversimplify an observed experience in social media, where an influx of sensationalist explosions and a saturation of stimuli push one to absorb information. This show slows down processing and considers one human factor at a time.

Ylva Ogland’s “Transmutation” series, 2008–2016, consists of four diptychs depicting the artist with her father; these paintings are framed by a visceral red backdrop, which is the artist’s trademark. Johan Thurfjell offers a minicinema resembling an architectural model for his film Dobar Cú, 2014, in which a “dark wet hound,” as described by the artist, guards a secret underworld; Thurfjell also displays a cluster of soft-hued paintings titled Prolog, 2011, perhaps to be interpreted as film stills translated into another form. Most impressive was Magdalena Dziurlikowska’s video Corona Radiata (The Radiating Crown), 2016, which examines her personal struggle with pregnancy and miscarriage as a woman in her late thirties. Juan-Pedro Fabra Guemberena’s project “Noviembre,” 2014–, includes the delicate book Juan-Pedro and Vania Go to the Zoo, 1974, and a large-scale magazine collage, El Gurrumino, 2014. All works relay the sentiment that each person carries an intimate perspective worth acknowledging—one that often can be seen to parallel those of others, if examined.
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Klas Eriksson, “Vet din mamma var du e?”

Klas Eriksson
Klas Eriksson, Evidence of Patchwork, 2017.

Swedish artist Klas Eriksson has developed a practice rooted in examining subcultures via works in public spaces and spontaneous performances. With an interest in how power flows and how crowds function, the artist attempts to unpack sociopolitical dynamics using playful tactics. More »

Lovisa Ringborg, “Night Remains”

Lovisa Ringborg
Lovisa Ringborg, Fountain, 2017. Image: Cecilia Hillström Gallery.

In Lovisa Ringborg’s second exhibition at this gallery, the artist upholds the argument that displaying a set of harmonious works can be more potent than a plethora of free-floating entities. More »

Przemek Pyszczek, “1989”

Przemek Pyszczek
Przemek Pyszczek, Public Relief No 6, 2016. Image: Gallery Belenius.

Polish-born, Canadian-raised, Berlin-based artist Przemek Pyszczek displays new works which are primarily sculptural and mixed media, with stints into collage. More »

Ulf Rollof, “Kleptomaniac”

Ulf Rollof
Ulf Rollof, Hungry Stranded, 2016. Image: CFHILL.

Sequestered above the restaurant Nosh & Chow in Stockholm (designed by Barcelona-based Lázaro Rosa-Violán), renowned Swedish artist Ulf Rollof’s current solo exhibition is the last installment in a trilogy that began in Mexico City. More »

“Personal”

Dziurlikowska
Magdalena Dziurlikowska, Corona Radiata, 2016. Image: Gotlands Konstmuseum.

Differentiating between public and private spheres can be challenging. This group exhibition focuses on how one might successfully share a subjective experience when most individuals are conditioned to distance themselves from others. More »

Christine Ödlund, “Aether & Einstein”

Christine Ödlund
Christine Ödlund, Urtica Dioica, 2013. Image: Magasin III.

In a delicate fusion of scientific experimentation, metaphysics, and exchange between human beings and plants, Swedish artist Christine Ödlund provides an enchanting display of paintings, drawings, videos, and an organic installation that entices viewers to reconsider their relationships with both secular and spiritual realms. More »

Max Ronnersjö, Untitled (% work)

Max Ronnersjö
Max Ronnersjö, Untitled, 2014. Image: Max Ronnersjö

A Symbol Is As a Symbol Does

Now hangs Swedish artist Max Ronnersjö’s large-scale, percent (%) painting in my apartment—as if one shops for ½ priced boots or a practical winter coat this spring. More »

Bjarne Melgaard, “Right Here, Right Now”

Bjarne Melgaard
Bjarne Melgaard, Untitled, 2015. Image: Lars Bohman Gallery.

In “Right Here, Right Now,” Bjarne Melgaard’s impressive new exhibition of paintings and drawings at Lars Bohman Gallery in Stockholm, the artist courageously maps out and shares his psyche, conveying an array of mental states, from neurosis to obsession to disappointment. More »

Olafur Eliasson, “Reality Machines”

Olafur Eliasson
Olafur Eliasson, Beauty, 1993. Image: Anders Sune Berg.

Danish-Icelandic artist Olafur Eliasson’s exhibition “Reality Machines” serves as both a retrospective, including almost twenty key pieces from across his career, and a successful display of the modernist cohesion between art, architecture, and design. More »