Ulf Rollof, “Kleptomaniac”

Ulf Rollof
Ulf Rollof, Hungry Stranded, 2016. Image: CFHILL.

Sequestered above the restaurant Nosh & Chow in Stockholm (designed by Barcelona-based Lázaro Rosa-Violán), renowned Swedish artist Ulf Rollof’s current solo exhibition is the last installment in a trilogy that began in Mexico City. Yet these works were prepared in Ventura, California, where he now resides. A multifaceted creator, Rollof seamlessly glides between three distinct mediums—painting, glass, and paper. With a history of highlighting both the conditional and the existential while aspiring to be universally accessible, the artist now bombards his audience with stirring pieces—confirming that he has harnessed newfound energy.

The venue in which these carefully curated works subsist maintains traditional decor, alluding to Scandinavia’s keen aesthetics and ongoing interest in design. Rollof’s Cinema Painting 4 Hands (all works 2016), among other striking oils on linen, is felicitously shown in a dimmer, more subdued setting, with the assistance of LEDs. This particular piece suggests a connection to the Renaissance spirit (rebirth, renewal) and the era’s exploratory, preliminary sketches for sculpture. The artist also displays new works: antique-glass objects penetrated by 9-mm bullets that nonetheless, against the odds, remain intact. This discordant act of shooting hints at collective vulnerabilities yet emphasizes a desire for change despite conflict. Influenced by his Southern California residency, Rollof exhibits framed cardboard signs such as Hungry Stranded, which were made by and purchased from homeless people he has encountered—going against any sort of human tendency to passively ignore the seemingly degenerate, fallen, or lost.

To see the review in context, click here.

Riga International Biennial of Contemporary Art (RIBOCA1)

Aslan Gaisumov
Aslan Gaisumov, People of No Consequence, 2016.

For the first Riga International Biennial of Contemporary Art, curator Katarina Gregos has chosen to view Latvia as ‘the center of the world,’ where other regions and nationalities become satellites. This is refreshing, for the Baltics have previously been considered to have a peripheral status. More »

Johannes Heldén, “The Exploding Book”

Johannes Heldén
Johannes Heldén, Clouds, 2017.

As one enters the space temporarily designated for Swedish artist and poet Johannes Heldén’s The Exploding Book at Konstakademin’s in Stockholm, one detects that Heldén is receptive to nuance; each creative gesture confirms his dedication to both text and image, expressed with equitable consideration. More »

Malin Gabriella Nordin, “Floating from Within”

Malin Gabriella Nordin, Veil of Dreams, 2017. Image: Gallery Steinsland Berliner.

Stockholm-based artist Malin Gabriella Nordin is one of many Swedish women artists who resort to the basics – or perhaps the old ways, meaning they’re not particularly interested in the digital. More »

“Survival Kit 9”

Andris Eglītis, Laboratory of Poetic Research, 2017. Image: Jacquelyn Davis.

The 9th edition of Survival Kit is orchestrated by a small team of Baltic and Scandinavian curators: Jonatan Habib Engqvist, Solvita Krese and Inga Lāce. All possess a background in organizing independently and within the confines of institutions, which may be their strong point—their fluidity. More »

The 9th Momentum Biennial

Jenna Sutela, Sporulating Paragraph, 2017. Image: Momentum 9.

Momentum 9, taking place in the industrial town of Moss, Norway, is being curated by Ulrika Flink, Ilari Laamanen, Jacob Lillemose, Gunhild Moe, and Jón B.K. Ransu, who together represent the Scandinavian region. With this biennial’s focus on ‘alienation’, the curators joined forces to determine how alien processes and entities are infused in our lives through technological, ecological and social transformations. More »

Klas Eriksson, “Vet din mamma var du e?”

Klas Eriksson
Klas Eriksson, Evidence of Patchwork, 2017. Image: Göteborgs Konsthall.

Swedish artist Klas Eriksson has developed a practice rooted in examining subcultures via works in public spaces and spontaneous performances. With an interest in how power flows and how crowds function, the artist attempts to unpack sociopolitical dynamics using playful tactics. More »

Lovisa Ringborg, “Night Remains”

Lovisa Ringborg
Lovisa Ringborg, Fountain, 2017. Image: Cecilia Hillström Gallery.

In Lovisa Ringborg’s second exhibition at this gallery, the artist upholds the argument that displaying a set of harmonious works can be more potent than a plethora of free-floating entities. More »

Przemek Pyszczek, “1989”

Przemek Pyszczek
Przemek Pyszczek, Public Relief No 6, 2016. Image: Gallery Belenius.

Polish-born, Canadian-raised, Berlin-based artist Przemek Pyszczek displays new works which are primarily sculptural and mixed media, with stints into collage. More »

Ulf Rollof, “Kleptomaniac”

Ulf Rollof
Ulf Rollof, Hungry Stranded, 2016. Image: CFHILL.

Sequestered above the restaurant Nosh & Chow in Stockholm (designed by Barcelona-based Lázaro Rosa-Violán), renowned Swedish artist Ulf Rollof’s current solo exhibition is the last installment in a trilogy that began in Mexico City. More »